I am Lee Baillie

Dealing With Clients and Overcoming Telephone Anxiety

Overcoming Telephone Anxiety

It was almost a year ago that I started working for MintTwist, a web design company in London. My role when I started was to code up websites that were designed by the lead designer and lend a hand to any design odd-jobs that needed doing.

As the year has progressed I have been entrusted with more and more responsibilities and have since been given my own projects to manage. A part of that is meeting and speaking on the phone with clients. For anybody who isn’t used to dealing with people in a business environment this can be a very unnerving situation.

There are two distinct environments in which I must speak to a client: over the phone and in a meeting. Some meetings are more formal than others but the environment is more or less the same. Personally, I find speaking on the phone a lot more difficult than speaking in person. For a start, you cannot gauge a client’s thoughts nearly as effectively over the phone as you can face-to-face.

Speaking over the phone initiates in me the fight-or-flight mechanism, I think. That is, I panic, sweat profusely and stutter and trip over my words. The most annoying part of all of that is that I know I have the ability to speak with professionalism and panache; I just can’t seem to bring myself to let it through.

You see, I have an innate fear that I am not adequate [cue the violins]. I don’t mean I have a personal flaw of feeling inferior. I just mean that, I’m forever worried that I simply am not as professional and knowledgeable as the person on the other end of the line expects me to be. They may criticise the new website I have just sent them but the fact is that a lot of the time they are simply looking for direction. They are eager to hear what I think about what they think!

But the panic and fear that I don’t know what I’m talking about grips my throat and getting the professional opinion past my lips is a nightmare. As a result, the client is left with the view that the company I work for don’t know what they are talking about and that they will take their business elsewhere next time. And that’s where the vicious circle begins because with that in mind when I’m on the phone I panic more and more! Nightmare!

The other environment, the meeting, is a different ball game altogether. I find this a lot easier than speaking on the phone, mostly because it is so easy to take a client at face value in relation to what they say. They make it easier for you because what they say is backed up (or flat-out denied) by their facial expressions, their physical actions and their up-front appearance.

Not only that, but meeting somebody in person who is generally cool, easy-going and happy can make you feel at ease. I understand that this is my role, too. I need to convey a façade that is cool and professional; that is made a lot easier when it is reciprocated at the client’s side. This is a good circle. It’s not so vicious.

The trouble starts when the client is too friendly; they speak about things that are not related to the matter at hand. This makes me feel too comfortable and I start to panic that if I relax too much I’ll lose my cool and make some error or faux pas that sticks with the client and causes a tension from that moment onwards. Cue the sweating, panic and need for large amounts of re-hydration!

Over the course of the past twelve months, I haven’t totally got a hold over my anxieties when it comes to speaking with clients, especially over the phone. However, I think that structure is important when it comes to a business conversion. For example, making a few notes before making a phone call can help greatly when it comes to clients’ questions. It helps if you are mentally akin to the clients because you will have an idea of the sort of questions they might ask. Therefore, you are less likely to be taken off guard by a question you might need to think about.

And in essence, that’s all the panic stems from. The fact that you need to think on the spot puts pressure on your nerves and that’s the precise moment you lose your grip on the conversation. If you don’t know the answer to a question the client asks, the key, I believe, is to just be honest. Tell the client you will get back to them because you need to discuss the matter with your colleagues. Bluffing your way through the conversation not only leaves the client unconvinced, but it also means that you, as a designer looking for some kind of critique from the client, get very little out of the conversation. The result: the client doesn’t get what they want and either asks the question again later or simply takes their business elsewhere in the future.

Keeping your cool is important. It makes the client feel at ease and conveys the image, well, the fact that you know what you are talking about. Once you’ve had a few conversations like that, where you can answer each question concisely and effectively, your confidence in yourself and your professionalism will increase and you will be entrusted with more and more responsibilities within your company.

Review: Fallout 3 – Xbox 360

fallout-3

A game of jaw-dropping scope, Fallout 3 is an intense journey from start to finish. Escaping from Vault 101 into post-apocalyptic Washington DC, now known as the Capital Wasteland, you are left to fend for yourself using only skills you learn along the way. It isn’t long before you run into trouble, however, and you are forced to fight for your life using your bare hands or any weapon you can find. Using the VATS system – a way by which to pause the action, compose yourself and queue up a selection of hits on a single target or multiple enemies (many come in twos and threes,) – the aesthetic aspect of the game really kicks in as you kick out on a giant insect or a Super Mutant.

The game can be played in first or third-person views, a growing trend in RPG games, and each view has its better uses. For example, using the third person view allows you to fully take in and explore the landscape and the buildings and gives a better sense of your surroundings. When in combat, however, using the first-person view really helps you to home in on an enemy, especially when in close combat. You can see and hear the cinematic animation as each bullet hits your enemy’s flesh with a spatter of blood and a satisfying explosion of flesh as you destroy the mutated abomination lusting to cause you pain.

Immersive, the surroundings will have you exploring for an age before you even get into the stories of the game.

Overall Fallout 3 is definitely a high-hitting game for 2008 and is far superior to, though less anticipated than, many other RPGs over the past twelve months. You will not complete this game in an instant; it is very much a long-haul ride. But trust this: you will NOT be disappointed with anything after the game has finished. Except, perhaps, with that fact itself.

The Supermarket is a Woman’s Territory

woman-in-the-supermarket

Guys, some of you may know what I’m talking about. Others are likely to have blocked out any negative experiences at the supermarket.

I’m talking about how territorial women seem to be in the “women’s” aisle in the local Sainsbury’s. Have you ever received the dirty looks, the glances and the hisses when you, as a male, walk down what is usually considered a woman’s part of the supermarket?

You know what one might find there. The feminine hygiene products. The hair spray. The shampoo. But the fact is that you will also find such health and beauty products as Simple face care and toothbrushes and hand sanitiser. That’s all I’m looking for when I’m there! I’m not there to eye up the females. I’m not that way inclined, anyway.

I can picture it now. I’ve my basket in one hand and a bottle of Simple Face Moisturiser in the other as I read the label, wondering if it fits in with the rest of my Simple stuff at home. At the corner of my eye I notice the scowls, the furrowed brows and the “tuts” and “hisses” focused towards my general direction.

It’s like entering a war zone. Walking into the “women’s” aisle is like going over the top and running headlong towards the enemy. I feel as though I should be listening to commands and awaiting an attack from the Germans.

A friendly message to the ladies of the world: Please understand that the men’s section is a tiny square next to the baby foods in most supermarkets and that sometimes we guys need something that can only be found in your section. Please?

Much love.

BBC News Web Site: How I’d Have Done It…

bbc-news-thumb

An ambitious challenge if ever there was one. I set myself the task of re-creating the BBC News Web site.

My first point would be that I don’t want to create something that is completely different. I just wanted to do something that, had I been asked to re-create the site, would make an impression.

The BBC News Web site is one of the most important sites in the country and indeed the World. Being given the task of re-designing such an important Web site is not something that I could have done without unenviable panic first!

But, it’s no secret that when the BBC re-vamped the News Web site, there were just as many people who didn’t like it as there were who did. I, however, was torn.

I hated the fact that they introduced two mastheads for one, because it pushed way too much content below the fold. But that’s obviously not going to change as it is part of a wider design for the entire network of BBC sites, so I’ve made my peace with it.

Besides a few other niggling little points, such as the busy mid-section, I love how clean and more effective it is now compared with the older version.

With my design, I aimed to put a couple of improvements onto that. I’ve taken most of the ideas from the current design and simply put it in a slightly different way. A lot is the same; too radical a change would certainly upset the millions of people who visit the site.

Later I’ll be posting a point-by-point explanation of my design but, for now, I just want to push it out there and see what people think.

Do you like it? Do you hate it? Most importantly, what would YOU do to improve my design, or the BBC’s current design?

Click the image above to view the full-sized visual.

Later, I’ll also be posting the PSD and Fireworks PNG so people can take it away and edit it the way they’d like. Maybe you’ve made one already… Care to post it here? I’d love to see other ideas too!

FREE TEMPLATE: TORCHWOOD

torchwood

You may or may not be aware that the long-awaited second series of Torchwood is starting on BBC Two in January and, in celebration, I’ve created this free Torchwood-inspired template.

This two-column template is dark, metallic and almost grungy, but it appeals whether used in relation to Torchwood or not. It can be adapted to suit many needs and is perfect for a somewhat stylish personal Web site.

This template contains a ‘pass code’ text form in the header, but this can easily be changed to a search bar.

In the Zip, you’ll also find the Photoshop file for the header so you can change it and adapt it in any way you please.

I understand I’ve been using a highlight effect on the headers of my recent templates. I think it looks good. If you don’t, you can change it easily and rest assured that I’ve had my fix of coloured backgrounds on my headers!

WARNING: As with one or two of my other free CSS templates, Torchwood uses the transparency function with the PNG images. If you use Internet Explorer 6 or earlier, this will downgrade in to slightly garbled images. The vast majority of Web users now use up-to-date browsers, however, and so are not affected.

LIVE PREVIEW or just DOWNLOAD NOW

If you download this template, please consider leaving your thoughts in a comment below. That way I know how best to improve future projects.

Related:
‘Torchwood Series Two Press Première’ posted on 4 December 2007 by Lee

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